MCQOPTIONS
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MCQOPTIONS
This section includes 77 Mcqs, each offering curated multiple-choice questions to sharpen your Bachelor Multimedia Communication (B.M.M.C.) knowledge and support exam preparation. Choose a topic below to get started.
| 51. |
INT. |
| A. | scene takes place indoors |
| B. | international movie |
| C. | interesting scene |
| D. | none of the above |
| Answer» B. international movie | |
| 52. |
Final Draft |
| A. | writers last rewrite of a script |
| B. | drafting |
| C. | fair copy |
| D. | shooting script |
| Answer» B. drafting | |
| 53. |
FREEZE FRAME: |
| A. | the picture stops moving, becoming a still for a period of time |
| B. | frame of mist or ice berg |
| C. | end of a movie |
| D. | none of the above |
| Answer» B. frame of mist or ice berg | |
| 54. |
FAVOR ON |
| A. | a particular character or action is highlighted or "favored" in a shot |
| B. | in favor of |
| C. | favoring a character |
| D. | none of the above |
| Answer» B. in favor of | |
| 55. |
NEXT SCENE |
| A. | next chapter |
| B. | not the end of the movie, but end of a major movement |
| C. | next page |
| D. | none of the above |
| Answer» C. next page | |
| 56. |
FADE OUT |
| A. | image appear in to frame |
| B. | image slowly disappear to black |
| C. | image transit to another frame |
| D. | none of the above |
| Answer» C. image transit to another frame | |
| 57. |
EXTREMELY LONG SHOT (XLS): |
| A. | very long distance from the subject or action |
| B. | panoramic shot |
| C. | close up shot |
| D. | none of the above |
| Answer» B. panoramic shot | |
| 58. |
EXT. |
| A. | scene takes place out of doors |
| B. | extra actor |
| C. | extra properties |
| D. | none of the above |
| Answer» B. extra actor | |
| 59. |
ESTABLISHING SHOT |
| A. | establishment |
| B. | beginning of a film to suggest where the story takes place |
| C. | final shot |
| D. | none of the above |
| Answer» C. final shot | |
| 60. |
Dolly |
| A. | a mechanism for camera movement |
| B. | a chair carrying actors |
| C. | a game |
| D. | none of the above |
| Answer» B. a chair carrying actors | |
| 61. |
Dialog |
| A. | people are supposed to say according to the script |
| B. | discussion with script writer and director |
| C. | title card |
| D. | none of the above |
| Answer» B. discussion with script writer and director | |
| 62. |
DISSOLVE TO |
| A. | a common transition |
| B. | dissolving materials |
| C. | solving an issue |
| D. | none of the above |
| Answer» B. dissolving materials | |
| 63. |
CROSSFADE: |
| A. | fade to black then fade to next scene |
| B. | cross fire |
| C. | crossing of unwanted elements |
| D. | none of the above |
| Answer» B. cross fire | |
| 64. |
CRAWL |
| A. | superimposed titles move across on screen |
| B. | a camera movement |
| C. | an equipment |
| D. | a trolley. |
| Answer» B. a camera movement | |
| 65. |
CONTINUOUS |
| A. | action that moves from one location to another without any interruptions in time |
| B. | continuity |
| C. | page continuity |
| D. | none of the above |
| Answer» B. continuity | |
| 66. |
CLOSER ANGLE |
| A. | new angle nearer to the subject. |
| B. | corner of an interior room |
| C. | close up |
| D. | none of the above |
| Answer» B. corner of an interior room | |
| 67. |
CLOSE ON |
| A. | shot description for a close-up |
| B. | closing of shots |
| C. | start |
| D. | none of the above |
| Answer» B. closing of shots | |
| 68. |
Extreme Close-Up |
| A. | an extreme version of the close up |
| B. | long shot of a character |
| C. | full figure |
| D. | none of the above |
| Answer» B. long shot of a character | |
| 69. |
Extreme Long Shot |
| A. | to give a general impression rather than specific information |
| B. | large size of shot |
| C. | big close up |
| D. | none of the above |
| Answer» B. large size of shot | |
| 70. |
Close-Up |
| A. | this shows very little background, and concentrates on either a face |
| B. | full figure |
| C. | action |
| D. | none of the above |
| Answer» B. full figure | |
| 71. |
Medium Shot |
| A. | a figure from the knees/waist up |
| B. | full figure |
| C. | back ground |
| D. | none of the above |
| Answer» B. full figure | |
| 72. |
Long Shot |
| A. | showing the entire human body |
| B. | showing close up |
| C. | showing apart |
| D. | none of the above |
| Answer» B. showing close up | |
| 73. |
INSERT |
| A. | insert an actor |
| B. | bring something very small into full frame |
| C. | inserting a page |
| D. | none of the above |
| Answer» C. inserting a page | |
| 74. |
Character |
| A. | character actor |
| B. | the character\s name can then be written in script |
| C. | behavior |
| D. | none of the above. |
| Answer» C. behavior | |
| 75. |
b.g. |
| A. | curtain |
| B. | anything occurring in a rear plane of action |
| C. | below ground |
| D. | none of the above. |
| Answer» C. below ground | |
| 76. |
Beat |
| A. | the actor should pause a moment, in silence, before continuing the scene |
| B. | statement |
| C. | interview |
| D. | none of the above. |
| Answer» B. statement | |
| 77. |
Action |
| A. | the scene description, character movement, described in a screenplay |
| B. | font character |
| C. | action script |
| D. | none of the above. |
| Answer» B. font character | |