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This section includes 160 Mcqs, each offering curated multiple-choice questions to sharpen your Bachelor Multimedia Communication (B.M.M.C.) knowledge and support exam preparation. Choose a topic below to get started.
| 1. |
A type of layout in which the pages of a design appear opposite each other, as in the pages of abook. |
| A. | facing pages |
| B. | centre pages |
| C. | layout pages |
| Answer» B. centre pages | |
| 2. |
A strip of color blocks or tonal values on film, proofs, and press sheets, used to check theaccuracy of color registration, quality, density, and ink coverage during a print run. |
| A. | color bars |
| B. | color scheme |
| C. | calibration bars |
| Answer» D. | |
| 3. |
A graphics software feature that eliminates or softens the jaggedness of low-resolution curvededges. |
| A. | anti-aliasing |
| B. | rendering |
| C. | wrapping |
| Answer» B. rendering | |
| 4. |
The process of mixing red, green, and blue light to achieve a wide range of colors, as on a colortelevision screen. |
| A. | subtractive color |
| B. | additive color |
| C. | process color |
| Answer» C. process color | |
| 5. |
Intentional, regular repetition of lines of shapes to achieve a specific repetitious effect orpattern |
| A. | texture |
| B. | rhythm |
| C. | clipart |
| Answer» C. clipart | |
| 6. |
Difference between two or more elements ,such as value, color, texture, in a composition also,the degree of difference between the lightest and darkest parts of a picture. |
| A. | contrast |
| B. | balance |
| C. | symmetry |
| Answer» B. balance | |
| 7. |
The way in which the elements in visual arts are arranged to create a feeling of equilibrium ina work of art. |
| A. | balance |
| B. | harmony |
| C. | unity |
| Answer» B. harmony | |
| 8. |
The first sentence or first few words of a story's lead, set in a font size larger than the bodytext of the story. |
| A. | kicker |
| B. | initial cap |
| C. | headline |
| Answer» B. initial cap | |
| 9. |
To delete a section from copy or to discard the entire story. a. Kill b. Spoilage c. Leading79. First paragraph in a news story |
| A. | initial cap |
| B. | lead |
| C. | headline |
| Answer» B. lead | |
| 10. |
Abbreviation for the page opposite the editorial page. The page is frequently devoted toopinion columns and related illustrations. |
| A. | op-ed page |
| B. | footer |
| C. | banner |
| Answer» B. footer | |
| 11. |
Formal statement of newspaper’s name, officers, place of publication and other descriptiveinformation, usually on the editorial page. |
| A. | dateline |
| B. | masthead |
| C. | teaser |
| Answer» C. teaser | |
| 12. |
Name of the city or town and sometimes the date at the start of a story that is not of localorigin. |
| A. | dateline |
| B. | footer |
| C. | header |
| Answer» B. footer | |
| 13. |
An eye-catching graphic element, on page one or section fronts, that promotes an iteminside. |
| A. | teaser |
| B. | promo |
| C. | ad |
| Answer» B. promo | |
| 14. |
Coding formats (size, leading, color, etc.) that can be applied instantly to selected text indesktop publishing programs. |
| A. | paragraph |
| B. | formats |
| C. | style sheets |
| Answer» D. | |
| 15. |
One of the four standard colors used to produce full-color photos and artwork: Cyan (blue),magenta (red) yellow or black. |
| A. | additive color |
| B. | process color |
| C. | primary color |
| Answer» C. primary color | |
| 16. |
A block of information, including staff names and publication date, often printed on theeditorial page. |
| A. | banner |
| B. | footer |
| C. | masthead |
| Answer» D. | |
| 17. |
A graphic divide that labels regularly appearing material by packaging the writer's name, thecolumn's name and a small mug or drawing of the writer. |
| A. | column logo |
| B. | header |
| C. | index |
| Answer» B. header | |
| 18. |
A line or block of type providing descriptive information about a photo; used interchangeablywith cutline. |
| A. | caption |
| B. | inset |
| C. | deck |
| Answer» B. inset | |
| 19. |
An imaginary line that type rests on_____ a. Cutline b. Baseline c. Byline33. A page element that extends to the trimmed edge of a printed page. |
| A. | leading |
| B. | fold |
| C. | bleed |
| Answer» C. bleed | |
| 20. |
Paper that, due to mistakes or accidents, must be thrown away instead of delivered printedto the customer, as compared to waste. |
| A. | waste |
| B. | spoilage |
| C. | trash |
| Answer» C. trash | |
| 21. |
Proof of type and graphics as they will look on the finished page complete with elements suchas headings, rules and folios. |
| A. | page proof |
| B. | spoilage |
| C. | manuscript |
| Answer» B. spoilage | |
| 22. |
A number assigned to a published work and usually found either on the title page or the backof the title page. Considered an International Standard Book Number. |
| A. | isbn |
| B. | iso |
| C. | pin |
| Answer» B. iso | |
| 23. |
Arrangement of type and visual elements along with specifications for paper, ink colors andprinting processes that, when combined, convey a visual message. |
| A. | layout |
| B. | proof |
| C. | graphic design |
| Answer» D. | |
| 24. |
With printed matter, markings indicating where a fold is to occur, usually located at the topedges. |
| A. | gutter |
| B. | margin |
| C. | fold marks |
| Answer» D. | |
| 25. |
Type or art that continues from one page of a book or magazine across the gutter to theopposite page. |
| A. | crossover or bridge, gutter bleed and gutter jump. |
| B. | bleed |
| C. | baseline |
| Answer» B. bleed | |
| 26. |
In typography, the assembly of typographic elements, such as words and paragraphs, intopages ready for printing. |
| A. | body |
| B. | article |
| C. | composition |
| Answer» D. | |
| 27. |
A type of layout in which the pages of a design appear opposite each other, as in the pages of a book. |
| A. | facing pages |
| B. | centre pages |
| C. | layout pages |
| Answer» B. centre pages | |
| 28. |
The subtractive primaries, or process colors, used in four-color printing. |
| A. | cmyk |
| B. | rgb |
| C. | ryb |
| Answer» B. rgb | |
| 29. |
A strip of color blocks or tonal values on film, proofs, and press sheets, used to check the accuracy of color registration, quality, density, and ink coverage during a print run. |
| A. | color bars |
| B. | color scheme |
| C. | calibration bars |
| Answer» D. | |
| 30. |
The number of characters (letters, figures, signs, or spaces) in a selected block of copy. |
| A. | character count |
| B. | character type |
| C. | fill character |
| Answer» B. character type | |
| 31. |
The extra portion of an element that extends beyond the page trim edge. |
| A. | crop mark |
| B. | bleed allowance |
| C. | gutter |
| Answer» C. gutter | |
| 32. |
A function within a graphics application that assists in selecting or setting a color. |
| A. | selection tool |
| B. | color picker |
| C. | paint bucket tool |
| Answer» C. paint bucket tool | |
| 33. |
The text portion of the copy on a page, as distinguished from headlines. |
| A. | content |
| B. | type |
| C. | body copy |
| Answer» D. | |
| 34. |
The width-to-height proportions of an image. |
| A. | resolution |
| B. | aspect ratio |
| C. | landscape |
| Answer» C. landscape | |
| 35. |
The process of mixing red, green, and blue light to achieve a wide range of colors, as on a color television screen. |
| A. | subtractive color |
| B. | additive color |
| C. | process color |
| Answer» C. process color | |
| 36. |
A graphics software feature that eliminates or softens the jaggedness of low-resolution curved edges. |
| A. | anti-aliasing |
| B. | rendering |
| C. | wrapping |
| Answer» B. rendering | |
| 37. |
A news story or other material differentiated from straight news. |
| A. | feature |
| B. | promo |
| C. | teaser |
| Answer» B. promo | |
| 38. |
Text that's indented around a photo or artwork |
| A. | inset |
| B. | cutline |
| C. | wrap around |
| Answer» D. | |
| 39. |
The circular chart used to remember color relationships is a ________. |
| A. | flow chart |
| B. | color wheel |
| C. | color swatch |
| Answer» C. color swatch | |
| 40. |
The art element that refers to the sense of touch is___________ |
| A. | texture |
| B. | colour |
| C. | tone |
| Answer» B. colour | |
| 41. |
Secondary colors are obtained by mixing two ___________ colors. |
| A. | primary colors |
| B. | secondary colors |
| C. | tertiary colors |
| Answer» B. secondary colors | |
| 42. |
A plan for selecting colors for a composition is also known as a ________. |
| A. | color swatch |
| B. | color mix |
| C. | color scheme |
| Answer» D. | |
| 43. |
A type of balance in which both sides of a composition are balanced yet different. |
| A. | symmetrical |
| B. | asymmetrical |
| C. | rhythmical |
| Answer» C. rhythmical | |
| 44. |
Intentional, regular repetition of lines of shapes to achieve a specific repetitious effect or pattern |
| A. | texture |
| B. | rhythm |
| C. | clipart |
| Answer» C. clipart | |
| 45. |
Anything repeated in a predictable combination. |
| A. | pattern |
| B. | rhythm |
| C. | proximity |
| Answer» B. rhythm | |
| 46. |
The principle of design dealing with the creation of action. |
| A. | pattern |
| B. | movement |
| C. | rhythm |
| Answer» C. rhythm | |
| 47. |
Special stress given to an element to make it stand out. |
| A. | pattern |
| B. | rhythm |
| C. | emphasis |
| Answer» D. | |
| 48. |
The degree of difference between the lightest and darkest parts of a picture. |
| A. | brightness |
| B. | contrast |
| C. | luminous |
| Answer» C. luminous | |
| 49. |
Juxtaposition of dissimilar elements in a work of art |
| A. | balance |
| B. | contrast |
| C. | asymmetry |
| Answer» D. | |
| 50. |
Difference between two or more elements ,such as value, color, texture, in a composition also, the degree of difference between the lightest and darkest parts of a picture. |
| A. | contrast |
| B. | balance |
| C. | symmetry |
| Answer» B. balance | |