MCQOPTIONS
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MCQOPTIONS
This section includes 77 Mcqs, each offering curated multiple-choice questions to sharpen your Bachelor Multimedia Communication (B.M.M.C.) knowledge and support exam preparation. Choose a topic below to get started.
| 1. |
Program genres where the unscripted behaviors of ordinary people are the focus ofinterest is known as __________________________ |
| A. | Realism |
| B. | actuality footage |
| C. | naturalism |
| D. | reality TV |
| Answer» C. naturalism | |
| 2. |
Program genres where the unscripted behaviors of ordinary people are the focus ofinterest is known as_______________________________________ |
| A. | Realism |
| B. | actuality footage |
| C. | naturalism |
| D. | reality TV |
| Answer» C. naturalism | |
| 3. |
The number of minutes of tape used to shoot a sequence compared to the screen time ofthe finished product is known as _________________________________ |
| A. | shooting ratio |
| B. | canning ratio |
| C. | fog index |
| D. | screen index |
| Answer» B. canning ratio | |
| 4. |
Programmes genre where the unscripted behavior of ordinary people are the focus ofinterest is known as ____________________________ |
| A. | actuality footage |
| B. | reality television |
| C. | naturalism |
| D. | real TV |
| Answer» C. naturalism | |
| 5. |
Which of the following is not part of the five C’s of cinematography |
| A. | compulsion |
| B. | camera angles |
| C. | cutting |
| D. | composition |
| Answer» E. | |
| 6. |
Camera angles, continuity, cutting, close – ups and _________ are the five C’s of Cinematography |
| A. | compulsion |
| B. | calculation |
| C. | co-operation |
| D. | composition |
| Answer» C. co-operation | |
| 7. |
The video effect that slowly replaces one image on the screen with another is known as___________ |
| A. | bumper |
| B. | bridge |
| C. | dissolve |
| D. | crash |
| Answer» D. crash | |
| 8. |
_________________________is not a type of liner editing |
| A. | assemble editing |
| B. | insert editing |
| C. | A/B roll editing |
| D. | slide editing |
| Answer» D. slide editing | |
| 9. |
Lip-sync is a term used in________________________________ |
| A. | dubbing |
| B. | lighting |
| C. | rehearsals |
| D. | makeup |
| Answer» B. lighting | |
| 10. |
Program genres where the unscripted behaviors of ordinary people are the focus of interest is known as __________________________ |
| A. | Realism |
| B. | actuality footage |
| C. | naturalism |
| D. | reality TV |
| Answer» C. naturalism | |
| 11. |
__________________________is not a type of liner editing |
| A. | assemble editing |
| B. | insert editing |
| C. | A/B roll editing |
| D. | slide editing |
| Answer» D. slide editing | |
| 12. |
A TV producer is not supposed to _______________________________ |
| A. | be present during the recording of a sit.com |
| B. | oversee the editing process |
| C. | edit and rewrite the script |
| D. | prepare final VTR for the purpose of broadcasting |
| Answer» E. | |
| 13. |
Program genres where the unscripted behaviors of ordinary people are the focus of interest is known as_______________________________________ |
| A. | Realism |
| B. | actuality footage |
| C. | naturalism |
| D. | reality TV |
| Answer» C. naturalism | |
| 14. |
Programmes genre where the unscripted behavior of ordinary people are the focus of interest is known as ____________________________ |
| A. | actuality footage |
| B. | reality television |
| C. | naturalism |
| D. | real TV |
| Answer» C. naturalism | |
| 15. |
The number of minutes of tape used to shoot a sequence compared to the screen time of the finished product is known as _________________________________ |
| A. | shooting ratio |
| B. | canning ratio |
| C. | fog index |
| D. | screen index |
| Answer» B. canning ratio | |
| 16. |
Sir David Attenborough is a renowned_______________________ |
| A. | Script writer |
| B. | film editor |
| C. | Feature film director |
| D. | video documentary director |
| Answer» E. | |
| 17. |
Treatment, a terminology in cinema means____________________ |
| A. | synopsis of a film |
| B. | a proposal for the production of a film |
| C. | A short written outline of a film specifying how the story is to be told |
| D. | Summary of the story |
| Answer» D. Summary of the story | |
| 18. |
Story board narrates the story of the movie through____________________ |
| A. | rough sketches |
| B. | film strips |
| C. | story synopsis |
| D. | comic strips |
| Answer» B. film strips | |
| 19. |
_______________________was the first film maker who introduced parallel action editing (cross-cut) to heighten the anxiety of the audience |
| A. | Cecil Hepworth |
| B. | D.W. Griffith |
| C. | Mack Sennette |
| D. | Stuart Blackton |
| Answer» C. Mack Sennette | |
| 20. |
The classical Italian neo-realist film, The Bicycle Thief (1948), directed by Vittorio DeSica was scripted by___________________________ |
| A. | Vittoria DeSica |
| B. | Cesare Zavatini |
| C. | Roberto Rossellini |
| D. | Michelangelo Antonioni |
| Answer» B. Cesare Zavatini | |
| 21. |
Bert Haanstra’s classic documentary___________________ documents Holland’s struggle against the sea |
| A. | Delta Project |
| B. | Delta Finale |
| C. | Delta Phase I |
| D. | The Eastern Scheldt |
| Answer» D. The Eastern Scheldt | |
| 22. |
In TV interview double look means__________________________ |
| A. | The gaze of the interviewer towards interviewed |
| B. | Looking only at the person being interviewed |
| C. | Looking at both the interviewer and camera lens |
| D. | None of the above |
| Answer» B. Looking only at the person being interviewed | |
| 23. |
Power point |
| A. | corporate presentation |
| B. | documentary |
| C. | feature film |
| D. | none of the above |
| Answer» B. documentary | |
| 24. |
Structure of script |
| A. | dialogue and description |
| B. | elements of design |
| C. | design of characters |
| D. | none of the above |
| Answer» B. elements of design | |
| 25. |
ZOOM |
| A. | the image seems to close in on a person or object |
| B. | zoom out |
| C. | long shot |
| D. | extreme long shot |
| Answer» B. zoom out | |
| 26. |
WIPE TO |
| A. | a transition in which one scene "wipes away" for the next |
| B. | clean out |
| C. | shot taken in rain |
| D. | none of the above |
| Answer» B. clean out | |
| 27. |
V.O. |
| A. | voice over |
| B. | very old scene |
| C. | visual opacity |
| D. | none of the above |
| Answer» B. very old scene | |
| 28. |
Trailer |
| A. | theatrical advertisement for an upcoming film |
| B. | news reel |
| C. | trolley |
| D. | none of the above |
| Answer» B. news reel | |
| 29. |
SUPER |
| A. | abbreviation for superimpose |
| B. | super star |
| C. | super picture |
| D. | none of the above |
| Answer» B. super star | |
| 30. |
Steadicam |
| A. | a camera built to remain stable while being moved |
| B. | a camera mounted on a tripod |
| C. | a steady shot |
| D. | none of the above |
| Answer» B. a camera mounted on a tripod | |
| 31. |
STOCK SHOT: |
| A. | footage of events in history, from other films |
| B. | stocking of previously recorded clips |
| C. | a still shot |
| D. | none of the above |
| Answer» B. stocking of previously recorded clips | |
| 32. |
Swish Pan |
| A. | a quick snap of the camera from one object to another |
| B. | a vessel |
| C. | a camera equipment |
| D. | none of the above |
| Answer» B. a vessel | |
| 33. |
SPLIT SCREEN SHOT: |
| A. | the space of the frame is split into more frames |
| B. | splitting of pages |
| C. | splitting of scenes |
| D. | none of the above |
| Answer» B. splitting of pages | |
| 34. |
SMASH CUT TO |
| A. | slow transition |
| B. | an especially sharp transition |
| C. | final shot |
| D. | none of the above |
| Answer» C. final shot | |
| 35. |
Slug Line |
| A. | beginning of a scene that briefly describes the location and time of day |
| B. | sub title |
| C. | closing film |
| D. | captions |
| Answer» B. sub title | |
| 36. |
Scene |
| A. | an event that takes place entirely in one location or time |
| B. | a frame |
| C. | a dialogue |
| D. | none of the above |
| Answer» B. a frame | |
| 37. |
ROLL |
| A. | superimposed titles move vertically on screen |
| B. | film roll |
| C. | rolling of camera |
| D. | none of the above |
| Answer» B. film roll | |
| 38. |
PUSH IN: |
| A. | the camera physically moves towards a subject |
| B. | fighting scene |
| C. | movement |
| D. | none of the above |
| Answer» B. fighting scene | |
| 39. |
|
| A. | cross-platform portable document format |
| B. | picture division format |
| C. | photograph digital frame |
| D. | none of the above |
| Answer» B. picture division format | |
| 40. |
Pan |
| A. | camera turning on a stationary axis |
| B. | trolley |
| C. | close up |
| D. | none of the above |
| Answer» B. trolley | |
| 41. |
or O.C. |
| A. | off-screen or off-camera |
| B. | offset camera |
| C. | optical camera |
| D. | none of the above |
| Answer» B. offset camera | |
| 42. |
MATCH DISSOLVE TO |
| A. | fade in |
| B. | a match dissolve involves two objects of similar color, shape, |
| C. | not atransition |
| D. | none of the above |
| Answer» C. not atransition | |
| 43. |
MATCH CUT TO: |
| A. | a transition often used to compare two completely unrelated objects |
| B. | cutting film |
| C. | removing |
| D. | none of the above |
| Answer» B. cutting film | |
| 44. |
MOS |
| A. | moment of silence |
| B. | movement of scene |
| C. | motion of systems |
| D. | none of the above |
| Answer» B. movement of scene | |
| 45. |
LAP DISSOLVE: |
| A. | fading out one shot while the next one grows clearer |
| B. | last shot |
| C. | beginning shot |
| D. | none of the above |
| Answer» B. last shot | |
| 46. |
JUMP CUT TO: |
| A. | a transition |
| B. | action |
| C. | fight scene |
| D. | none of the above |
| Answer» B. action | |
| 47. |
wipe. |
| A. | erasing |
| B. | a transition |
| C. | cleaning |
| D. | none of the above |
| Answer» C. cleaning | |
| 48. |
Encoding |
| A. | convert text to code |
| B. | convert code to text |
| C. | convert to code to another code |
| D. | none of the above |
| Answer» B. convert code to text | |
| 49. |
IN to View |
| A. | to reveal more of the scene |
| B. | arial shot |
| C. | wide angle |
| D. | close up |
| Answer» B. arial shot | |
| 50. |
Decoding |
| A. | convert text to code |
| B. | convert code to text |
| C. | convert to code to another code |
| D. | none of the above |
| Answer» C. convert to code to another code | |