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				This section includes 493 Mcqs, each offering curated multiple-choice questions to sharpen your Mongodb knowledge and support exam preparation. Choose a topic below to get started.
| 1. | DV. | 
| A. | digital video | 
| B. | data version | 
| C. | drive of video | 
| D. | none of the above | 
| Answer» B. data version | |
| 2. | Cyclorama. | 
| A. | seamless background | 
| B. | special effects | 
| C. | editing software | 
| D. | none of the above | 
| Answer» B. special effects | |
| 3. | LCD. | 
| A. | liquid crystal display. | 
| B. | lens couple devise | 
| C. | linear control devise | 
| D. | none of the above | 
| Answer» B. lens couple devise | |
| 4. | dB. | 
| A. | decibel. | 
| B. | digital book | 
| C. | digital backup | 
| D. | digital background | 
| Answer» B. digital book | |
| 5. | Cut in editing | 
| A. | the instantaneous transition | 
| B. | b. cut and paste | 
| C. | removing the frame | 
| D. | none of the above | 
| Answer» B. b. cut and paste | |
| 6. | CU. | 
| A. | close-up. | 
| B. | camera unit | 
| C. | control unit | 
| D. | cut and paste | 
| Answer» B. camera unit | |
| 7. | Narrative Editing | 
| A. | story as its main motivation | 
| B. | an aesthetic of film that does not narrate | 
| C. | silent movie | 
| D. | none of the above | 
| Answer» B. an aesthetic of film that does not narrate | |
| 8. | VFX | 
| A. | special effects | 
| B. | story board | 
| C. | digital script | 
| D. | shooting script | 
| Answer» B. story board | |
| 9. | Non Narrative editing | 
| A. | story as its main motivation | 
| B. | aesthetic of film that does not narrate | 
| C. | silent movie | 
| D. | none of the above | 
| Answer» C. silent movie | |
| 10. | Condenser microphone. | 
| A. | using a battery to maintain a charge across two plates | 
| B. | omni directional | 
| C. | bi directional | 
| D. | none of the above 40.story board | 
| Answer» B. omni directional | |
| 11. | Compression. | 
| A. | reducing the size of digital file | 
| B. | converting analogue to digital | 
| C. | reducing physical size | 
| D. | converting digital to analogue | 
| Answer» B. converting analogue to digital | |
| 12. | Panoramic | 
| A. | close up | 
| B. | wide view | 
| C. | mid shot | 
| D. | detail of scene | 
| Answer» C. mid shot | |
| 13. | Codec. | 
| A. | compress and decompress data | 
| B. | video code | 
| C. | video deck | 
| D. | none of the above | 
| Answer» B. video code | |
| 14. | Chrominance. | 
| A. | refers to color | 
| B. | refers to brightness | 
| C. | refers to sound | 
| D. | refers to light | 
| Answer» B. refers to brightness | |
| 15. | Chroma key. | 
| A. | layering two images | 
| B. | sound editing | 
| C. | title generation | 
| D. | background score | 
| Answer» B. sound editing | |
| 16. | Character generator | 
| A. | generate titles | 
| B. | generation loss controller | 
| C. | character design software | 
| D. | none of the above | 
| Answer» B. generation loss controller | |
| 17. | Chroma. | 
| A. | sound effect | 
| B. | the characteristic of a color | 
| C. | character generator | 
| D. | none of the above | 
| Answer» C. character generator | |
| 18. | Bandwidth. | 
| A. | the amount of audio spectrum required by a signal. | 
| B. | width of radio band | 
| C. | frequency of signals | 
| D. | none of the above 25.bidirectional microphone. | 
| Answer» B. width of radio band | |
| 19. | CCD. | 
| A. | camera control device | 
| B. | charge-coupled device | 
| C. | character control dept. | 
| D. | chroma control device | 
| Answer» C. character control dept. | |
| 20. | CCU. | 
| A. | charged couple unit | 
| B. | camera control unit | 
| C. | camera condenser unit. | 
| D. | none of the above | 
| Answer» C. camera condenser unit. | |
| 21. | Ambient sound. | 
| A. | back ground sound | 
| B. | sound noise | 
| C. | sound created by console | 
| D. | none of the above | 
| Answer» B. sound noise | |
| 22. | Post production | 
| A. | editing | 
| B. | story board | 
| C. | live recording | 
| D. | set designing | 
| Answer» C. live recording | |
| 23. | Interpretation in research | 
| A. | translation | 
| B. | drawing inferences from facts | 
| C. | different views | 
| D. | none of the above | 
| Answer» C. different views | |
| 24. | Statistical analysis | 
| A. | static page analysis | 
| B. | data analysis | 
| C. | research in statics | 
| D. | none of the above | 
| Answer» C. research in statics | |
| 25. | Literature review | 
| A. | published and un published studies on a topic | 
| B. | review writing of a novel | 
| C. | review on an event | 
| D. | none of the above | 
| Answer» B. review writing of a novel | |
| 26. | Survey in research | 
| A. | research using questionnaire | 
| B. | exploratory research. | 
| C. | arial survey | 
| D. | none of the above | 
| Answer» C. arial survey | |
| 27. | Historical Research | 
| A. | examining past events to draw conclusions | 
| B. | method dealing with number of years | 
| C. | a method of quantitative research | 
| D. | none of the above | 
| Answer» B. method dealing with number of years | |
| 28. | Qualitative research | 
| A. | primary exploratory research | 
| B. | research on quality control | 
| C. | research on total quality management | 
| D. | none of the above | 
| Answer» B. research on quality control | |
| 29. | Floor Management | 
| A. | art direction | 
| B. | scenic design | 
| C. | connecting control room, crew and director | 
| D. | none of the above | 
| Answer» D. none of the above | |
| 30. | Crew | 
| A. | personal employed | 
| B. | stunt artists | 
| C. | video tripod | 
| D. | editing technique | 
| Answer» B. stunt artists | |
| 31. | Drama | 
| A. | narration of a subject | 
| B. | a play | 
| C. | serial story | 
| D. | live story | 
| Answer» C. serial story | |
| 32. | Optical Illusion | 
| A. | see something which does not exist | 
| B. | science of video frame movement | 
| C. | science of film frame rate | 
| D. | none of the above | 
| Answer» B. science of video frame movement | |
| 33. | Chromma Keying | 
| A. | combining images by replacing a color | 
| B. | logging key points | 
| C. | linear editing | 
| D. | none of the above | 
| Answer» B. logging key points | |
| 34. | Copy writing | 
| A. | copy right act | 
| B. | content preparation | 
| C. | copying script | 
| D. | none of the above | 
| Answer» C. copying script | |
| 35. | audio levels | 
| A. | specific strength of a audio signal | 
| B. | volume level | 
| C. | speed level | 
| D. | amplifying level | 
| Answer» B. volume level | |
| 36. | Meta data | 
| A. | information about other data | 
| B. | data of shooting materials | 
| C. | property date | 
| D. | expenses data | 
| Answer» B. data of shooting materials | |
| 37. | Shot logging | 
| A. | start and end time codes | 
| B. | log in | 
| C. | log out | 
| D. | none of the above | 
| Answer» B. log in | |
| 38. | Analogue recording | 
| A. | video tape | 
| B. | digital tape | 
| C. | hard disc | 
| D. | computer | 
| Answer» B. digital tape | |
| 39. | Pre production | 
| A. | story board | 
| B. | editing | 
| C. | special effects | 
| D. | voice over | 
| Answer» B. editing | |
| 40. | Dramatic continuity | 
| A. | logical coherence between shots | 
| B. | scripts of a drama | 
| C. | continuity of drama episodes | 
| D. | none of the above | 
| Answer» B. scripts of a drama | |
| 41. | Video Formats | 
| A. | mpeg | 
| B. | rgb | 
| C. | cmyk | 
| D. | |
| Answer» B. rgb | |
| 42. | Advanced Audio coding | 
| A. | distortion coding | 
| B. | lossy digital audio compression | 
| C. | creating code points | 
| D. | none of the above | 
| Answer» C. creating code points | |
| 43. | A woofer driver used only for the lowest part of the audio Spectrum is called | 
| A. | subwoofer | 
| B. | console | 
| C. | speaker | 
| D. | microphone | 
| Answer» B. console | |
| 44. | Recording levels | 
| A. | different stages of recording | 
| B. | alignment level in an audio signal | 
| C. | different levels in out put | 
| D. | none of the above | 
| Answer» B. alignment level in an audio signal | |
| 45. | gain stages | 
| A. | stage performance improvement | 
| B. | different stages of recording | 
| C. | none of the above | 
| D. | stage in audio video path | 
| Answer» E. | |
| 46. | I/O setup | 
| A. | play back engine in pro tools | 
| B. | interface set up | 
| C. | internal set up | 
| D. | none of the above | 
| Answer» B. interface set up | |
| 47. | signal flow | 
| A. | flow of red signal to green signal | 
| B. | input output path | 
| C. | signal for live recording | 
| D. | keyboard shortcut | 
| Answer» C. signal for live recording | |
| 48. | Perception of sound | 
| A. | noise | 
| B. | psychoacoustic | 
| C. | editing technique | 
| D. | special effects | 
| Answer» C. editing technique | |
| 49. | signal ratio | 
| A. | editing techniques | 
| B. | ratio of signal power to noise power | 
| C. | aspect ratio | 
| D. | file format ratio | 
| Answer» C. aspect ratio | |
| 50. | Encoding | 
| A. | convert text to code | 
| B. | convert code to text | 
| C. | convert to code to another code | 
| D. | none of the above | 
| Answer» C. convert to code to another code | |