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This section includes 493 Mcqs, each offering curated multiple-choice questions to sharpen your Mongodb knowledge and support exam preparation. Choose a topic below to get started.
| 1. |
DV. |
| A. | digital video |
| B. | data version |
| C. | drive of video |
| D. | none of the above |
| Answer» B. data version | |
| 2. |
Cyclorama. |
| A. | seamless background |
| B. | special effects |
| C. | editing software |
| D. | none of the above |
| Answer» B. special effects | |
| 3. |
LCD. |
| A. | liquid crystal display. |
| B. | lens couple devise |
| C. | linear control devise |
| D. | none of the above |
| Answer» B. lens couple devise | |
| 4. |
dB. |
| A. | decibel. |
| B. | digital book |
| C. | digital backup |
| D. | digital background |
| Answer» B. digital book | |
| 5. |
Cut in editing |
| A. | the instantaneous transition |
| B. | b. cut and paste |
| C. | removing the frame |
| D. | none of the above |
| Answer» B. b. cut and paste | |
| 6. |
CU. |
| A. | close-up. |
| B. | camera unit |
| C. | control unit |
| D. | cut and paste |
| Answer» B. camera unit | |
| 7. |
Narrative Editing |
| A. | story as its main motivation |
| B. | an aesthetic of film that does not narrate |
| C. | silent movie |
| D. | none of the above |
| Answer» B. an aesthetic of film that does not narrate | |
| 8. |
VFX |
| A. | special effects |
| B. | story board |
| C. | digital script |
| D. | shooting script |
| Answer» B. story board | |
| 9. |
Non Narrative editing |
| A. | story as its main motivation |
| B. | aesthetic of film that does not narrate |
| C. | silent movie |
| D. | none of the above |
| Answer» C. silent movie | |
| 10. |
Condenser microphone. |
| A. | using a battery to maintain a charge across two plates |
| B. | omni directional |
| C. | bi directional |
| D. | none of the above 40.story board |
| Answer» B. omni directional | |
| 11. |
Compression. |
| A. | reducing the size of digital file |
| B. | converting analogue to digital |
| C. | reducing physical size |
| D. | converting digital to analogue |
| Answer» B. converting analogue to digital | |
| 12. |
Panoramic |
| A. | close up |
| B. | wide view |
| C. | mid shot |
| D. | detail of scene |
| Answer» C. mid shot | |
| 13. |
Codec. |
| A. | compress and decompress data |
| B. | video code |
| C. | video deck |
| D. | none of the above |
| Answer» B. video code | |
| 14. |
Chrominance. |
| A. | refers to color |
| B. | refers to brightness |
| C. | refers to sound |
| D. | refers to light |
| Answer» B. refers to brightness | |
| 15. |
Chroma key. |
| A. | layering two images |
| B. | sound editing |
| C. | title generation |
| D. | background score |
| Answer» B. sound editing | |
| 16. |
Character generator |
| A. | generate titles |
| B. | generation loss controller |
| C. | character design software |
| D. | none of the above |
| Answer» B. generation loss controller | |
| 17. |
Chroma. |
| A. | sound effect |
| B. | the characteristic of a color |
| C. | character generator |
| D. | none of the above |
| Answer» C. character generator | |
| 18. |
Bandwidth. |
| A. | the amount of audio spectrum required by a signal. |
| B. | width of radio band |
| C. | frequency of signals |
| D. | none of the above 25.bidirectional microphone. |
| Answer» B. width of radio band | |
| 19. |
CCD. |
| A. | camera control device |
| B. | charge-coupled device |
| C. | character control dept. |
| D. | chroma control device |
| Answer» C. character control dept. | |
| 20. |
CCU. |
| A. | charged couple unit |
| B. | camera control unit |
| C. | camera condenser unit. |
| D. | none of the above |
| Answer» C. camera condenser unit. | |
| 21. |
Ambient sound. |
| A. | back ground sound |
| B. | sound noise |
| C. | sound created by console |
| D. | none of the above |
| Answer» B. sound noise | |
| 22. |
Post production |
| A. | editing |
| B. | story board |
| C. | live recording |
| D. | set designing |
| Answer» C. live recording | |
| 23. |
Interpretation in research |
| A. | translation |
| B. | drawing inferences from facts |
| C. | different views |
| D. | none of the above |
| Answer» C. different views | |
| 24. |
Statistical analysis |
| A. | static page analysis |
| B. | data analysis |
| C. | research in statics |
| D. | none of the above |
| Answer» C. research in statics | |
| 25. |
Literature review |
| A. | published and un published studies on a topic |
| B. | review writing of a novel |
| C. | review on an event |
| D. | none of the above |
| Answer» B. review writing of a novel | |
| 26. |
Survey in research |
| A. | research using questionnaire |
| B. | exploratory research. |
| C. | arial survey |
| D. | none of the above |
| Answer» C. arial survey | |
| 27. |
Historical Research |
| A. | examining past events to draw conclusions |
| B. | method dealing with number of years |
| C. | a method of quantitative research |
| D. | none of the above |
| Answer» B. method dealing with number of years | |
| 28. |
Qualitative research |
| A. | primary exploratory research |
| B. | research on quality control |
| C. | research on total quality management |
| D. | none of the above |
| Answer» B. research on quality control | |
| 29. |
Floor Management |
| A. | art direction |
| B. | scenic design |
| C. | connecting control room, crew and director |
| D. | none of the above |
| Answer» D. none of the above | |
| 30. |
Crew |
| A. | personal employed |
| B. | stunt artists |
| C. | video tripod |
| D. | editing technique |
| Answer» B. stunt artists | |
| 31. |
Drama |
| A. | narration of a subject |
| B. | a play |
| C. | serial story |
| D. | live story |
| Answer» C. serial story | |
| 32. |
Optical Illusion |
| A. | see something which does not exist |
| B. | science of video frame movement |
| C. | science of film frame rate |
| D. | none of the above |
| Answer» B. science of video frame movement | |
| 33. |
Chromma Keying |
| A. | combining images by replacing a color |
| B. | logging key points |
| C. | linear editing |
| D. | none of the above |
| Answer» B. logging key points | |
| 34. |
Copy writing |
| A. | copy right act |
| B. | content preparation |
| C. | copying script |
| D. | none of the above |
| Answer» C. copying script | |
| 35. |
audio levels |
| A. | specific strength of a audio signal |
| B. | volume level |
| C. | speed level |
| D. | amplifying level |
| Answer» B. volume level | |
| 36. |
Meta data |
| A. | information about other data |
| B. | data of shooting materials |
| C. | property date |
| D. | expenses data |
| Answer» B. data of shooting materials | |
| 37. |
Shot logging |
| A. | start and end time codes |
| B. | log in |
| C. | log out |
| D. | none of the above |
| Answer» B. log in | |
| 38. |
Analogue recording |
| A. | video tape |
| B. | digital tape |
| C. | hard disc |
| D. | computer |
| Answer» B. digital tape | |
| 39. |
Pre production |
| A. | story board |
| B. | editing |
| C. | special effects |
| D. | voice over |
| Answer» B. editing | |
| 40. |
Dramatic continuity |
| A. | logical coherence between shots |
| B. | scripts of a drama |
| C. | continuity of drama episodes |
| D. | none of the above |
| Answer» B. scripts of a drama | |
| 41. |
Video Formats |
| A. | mpeg |
| B. | rgb |
| C. | cmyk |
| D. | |
| Answer» B. rgb | |
| 42. |
Advanced Audio coding |
| A. | distortion coding |
| B. | lossy digital audio compression |
| C. | creating code points |
| D. | none of the above |
| Answer» C. creating code points | |
| 43. |
A woofer driver used only for the lowest part of the audio Spectrum is called |
| A. | subwoofer |
| B. | console |
| C. | speaker |
| D. | microphone |
| Answer» B. console | |
| 44. |
Recording levels |
| A. | different stages of recording |
| B. | alignment level in an audio signal |
| C. | different levels in out put |
| D. | none of the above |
| Answer» B. alignment level in an audio signal | |
| 45. |
gain stages |
| A. | stage performance improvement |
| B. | different stages of recording |
| C. | none of the above |
| D. | stage in audio video path |
| Answer» E. | |
| 46. |
I/O setup |
| A. | play back engine in pro tools |
| B. | interface set up |
| C. | internal set up |
| D. | none of the above |
| Answer» B. interface set up | |
| 47. |
signal flow |
| A. | flow of red signal to green signal |
| B. | input output path |
| C. | signal for live recording |
| D. | keyboard shortcut |
| Answer» C. signal for live recording | |
| 48. |
Perception of sound |
| A. | noise |
| B. | psychoacoustic |
| C. | editing technique |
| D. | special effects |
| Answer» C. editing technique | |
| 49. |
signal ratio |
| A. | editing techniques |
| B. | ratio of signal power to noise power |
| C. | aspect ratio |
| D. | file format ratio |
| Answer» C. aspect ratio | |
| 50. |
Encoding |
| A. | convert text to code |
| B. | convert code to text |
| C. | convert to code to another code |
| D. | none of the above |
| Answer» C. convert to code to another code | |