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This section includes 97 Mcqs, each offering curated multiple-choice questions to sharpen your English Literature knowledge and support exam preparation. Choose a topic below to get started.
| 51. |
What is the central argument in Dr. Richard Kelly’s “The Novelist’s Eye” ? |
| A. | All novelists are painters at heart. |
| B. | George du Maurier felt that black-andwhite illustrators could be as important as novelists and painters. |
| C. | George du Maurier attacked the social position of the novelist in his illustrations. |
| D. | George du Maurier was a tremendous influence on Victorian novelists. |
| Answer» C. George du Maurier attacked the social position of the novelist in his illustrations. | |
| 52. |
What is one reason that Mystery Plays are referred to as such ? |
| A. | They involve the solving of a crime. |
| B. | They explore mysterious religious topics. |
| C. | They were written by medieval mystics. |
| D. | They were produced by medieval craft guilds, which were knows as “mysteries”. |
| Answer» E. | |
| 53. |
What form of verse is usually sung and details a dramatic or exciting episode ? |
| A. | An ode |
| B. | An elegy |
| C. | An epitaph |
| D. | A ballad |
| Answer» E. | |
| 54. |
What does Percy Shelley mean when he refers to poets as being the “unacknowledged legislators of the world” ? |
| A. | He is suggesting that artists serve to develop culture. |
| B. | He is suggesting that all artists are from high social classes. |
| C. | He is suggesting that artists are repressed throughout society. |
| D. | He is suggesting that the making of laws is itself an art. |
| Answer» B. He is suggesting that all artists are from high social classes. | |
| 55. |
What does a prologue serve to do in a Greek tragedy or comedy ? |
| A. | Introduce the main characters |
| B. | Preview the play’s conclusion |
| C. | Provide insight into the play’s mythological background |
| D. | Remind the viewers of what kind of play they are viewing |
| Answer» D. Remind the viewers of what kind of play they are viewing | |
| 56. |
What are the basic questions literary theory asks ? |
| A. | What is literature? |
| B. | Why do people write literature? |
| C. | What are the effects of literature? |
| D. | All of these. |
| Answer» E. | |
| 57. |
What are some of the hallmarks or conventions of the poetic form of the ode ? |
| A. | Simplicity in language, brevity in form, and humorousness in attitude |
| B. | Complexity in language, lengthiness in form, and seriousness in attitude |
| C. | Simplicity in language, lengthiness in form, and humorousness in attitude |
| D. | Complexity in language, brevity in form, and humorousness in attitude |
| Answer» C. Simplicity in language, lengthiness in form, and humorousness in attitude | |
| 58. |
The Freudian concept of “the uncanny” refers to_________________? |
| A. | a feeling of being disconnected from the world. |
| B. | a sense of something being familiar and foreign at once. |
| C. | terror at the thought of death. |
| D. | a realization of one’s empowered position in the world. |
| Answer» C. terror at the thought of death. | |
| 59. |
Reader-response theory focuses on considering how ? |
| A. | readers choose their favorite works of literature. |
| B. | readers experience a literary work. |
| C. | readers decide which works of literature to read. |
| D. | readers develop their own unique and personal critical discourses. |
| Answer» C. readers decide which works of literature to read. | |
| 60. |
Psychoanalytic criticism during its earliest stages tended to focus on_____________? |
| A. | the psychologies of individual authors. |
| B. | the typographical structures of literary texts. |
| C. | translation issues. |
| D. | how children relate to their parents in terms of literary texts. |
| Answer» B. the typographical structures of literary texts. | |
| 61. |
Marxist theory focuses on examining which of the following aspects of literary texts ? |
| A. | The political and social meanings of literary texts |
| B. | Characters who are sympathetic to issues facing the working classes |
| C. | The relationship between economics and the production of literary texts |
| D. | All of these |
| Answer» E. | |
| 62. |
Lauren Beth Signore’s essay, “Anne of Green Gables: The Transformation from Bildungsroman to Romantic Comedy”, argues that Anne of Green Gables is ultimately what kind of character ? |
| A. | A romantic awaiting true love |
| B. | A cynic awaiting the world’s destruction |
| C. | A delusional girl with no grasp on reality |
| D. | A young girl with a particularly dark Mindset |
| Answer» B. A cynic awaiting the world’s destruction | |
| 63. |
Jane Austen’s “Northanger Abbey” pursues which of the following themes ? |
| A. | The conflict between marriages based on love and those based on money |
| B. | The ways in which appearances don’t always match realities |
| C. | The danger in not recognizing the difference between reality and fiction |
| D. | All of these |
| Answer» E. | |
| 64. |
In Shakespeare’s “Sonnet 18”, the poet does which of the following ? |
| A. | Compares his love to a winter storm |
| B. | Compares his love to a summer’s day |
| C. | Compares his love to a turbulent sea |
| D. | Compares his love to his fear of death |
| Answer» C. Compares his love to a turbulent sea | |
| 65. |
In Shakespeare’s “Hamlet”, what does Hamlet mean when he states that, “there is more in heaven and earth … than are dreamt of in your philosophy” ? |
| A. | There is such a thing as an afterlife. |
| B. | Dreams always tell the truth. |
| C. | There are some aspects of existence that cannot be explained through reason. |
| D. | Heaven exists on earth. |
| Answer» D. Heaven exists on earth. | |
| 66. |
In Samuel Taylor Coleridge’s “Rime of the Ancient Mariner”, why does the Mariner kill the albatross ? |
| A. | For revenge |
| B. | To change the weather |
| C. | To bring forth life-in-death |
| D. | It is never directly stated why he does so. |
| Answer» E. | |
| 67. |
In poetry, each unit of rhythm is known as______________? |
| A. | a line. |
| B. | a foot. |
| C. | a measure. |
| D. | a meter. |
| Answer» C. a measure. | |
| 68. |
In his preface to “Lyrical Ballads”, Wordsworth calls for poetry to be written in what kind of language? |
| A. | Typically poetic and fanciful language |
| B. | Ancient languages |
| C. | Complicated and difficult language |
| D. | Common, everyday language |
| Answer» E. | |
| 69. |
In his “Poetics”, Aristotle suggests that tragic literary works should be ? |
| A. | logical in terms of plot and structure. |
| B. | complex in terms of plot and structure. |
| C. | without any sort of moral insight. |
| D. | sad. |
| Answer» B. complex in terms of plot and structure. | |
| 70. |
In his introductory lecture, how does Paul Fry define literary theory ? |
| A. | A hypothesis about how literary texts can be understood |
| B. | A methodology for applying ideas to literary texts |
| C. | The practice of interpreting literary texts |
| D. | A trend in university English departments |
| Answer» B. A methodology for applying ideas to literary texts | |
| 71. |
In his essay, “The Significance of Fictionalizing”, Wolfgang Iser argues which of the following points ? |
| A. | Historically, writers have been considered liars or at the very least irrelevant. |
| B. | Fictionalizing reality is a basic human need. |
| C. | Every text includes traces from the outside world, including social, historical, and literary remnants. |
| D. | All of these. |
| Answer» E. | |
| 72. |
In his essay, “Characters of Shakespeare’s Plays”, William Hazlitt conceptualizes Hamlet as_______________? |
| A. | a disturbed and insane man. |
| B. | a man of tremendous humor, simplicity, and innate goodness and kindness. |
| C. | a depressed but ultimately good and nonviolent man. |
| D. | a wicked and manipulative man. |
| Answer» D. a wicked and manipulative man. | |
| 73. |
In her text, “History of the Novel”, How does Dr. Agatha Taormina define the novel ? |
| A. | A narrative that emphasizes character development |
| B. | A narrative with a unified, plausible plot structure |
| C. | A narrative that conveys the illusion of reality |
| D. | All of these |
| Answer» E. | |
| 74. |
In Dr. R. Allen Shoaf’s article, “’Hamlet’: Like Mother, Like Son”, Shoaf argues which of the following points about the relationship between Hamlet and his mother ? |
| A. | Hamlet is placed in a position that can be conceptualized as feminine. |
| B. | Hamlet despises his mother and suspects she has killed his father. |
| C. | Hamlet is entirely masculinized throughout the play, and thus, is ultimately unlike his mother in terms of his position in the play. |
| D. | Hamlet has a personality disorder. |
| Answer» B. Hamlet despises his mother and suspects she has killed his father. | |
| 75. |
In “Characters of Shakespeare’s Plays”, what does William Hazlitt mean when he states the following: “We do not like to see our author’s plays acted, and least of all, ’Hamlet’. There is no play that suffers so much in being transferred to the stage” ? |
| A. | Hamlet cannot be staged properly because of the complexity of the play’s use of language. |
| B. | Hamlet is not relevant to the Romantic age. |
| C. | The role of Hamlet cannot be properly played by any actor. |
| D. | Hamlet is a work that was written to be read, not performed. |
| Answer» D. Hamlet is a work that was written to be read, not performed. | |
| 76. |
In “Characters of Shakespeare’s Plays”, how does William Hazlitt ultimately conceptualize the character of Hamlet ? |
| A. | As a crazed fool |
| B. | As a profound philosophical genius |
| C. | As boyish and immature |
| D. | As a brilliant warrior |
| Answer» C. As boyish and immature | |
| 77. |
In Beckett’s “Waiting for Godot”, which of the following statements best describes the play’s setting ? |
| A. | Stark and sterile |
| B. | Flowery and ornate |
| C. | Futuristic and technologically advanced |
| D. | Ancient and sophisticated |
| Answer» B. Flowery and ornate | |
| 78. |
Gerald Graff’s “They Say, I Say” encourages students to become______________? |
| A. | passive readers and critics of literary texts. |
| B. | involved in critical conversations about literary texts. |
| C. | capable of realizing that the viewpoints of some critics are more important than others. |
| D. | aware that Hamlet is a remarkable work of literature. |
| Answer» C. capable of realizing that the viewpoints of some critics are more important than others. | |
| 79. |
Feminist criticism focuses on exploring which of the following aspects of literary texts ? |
| A. | How women are portrayed in literary texts |
| B. | The psychologies of female writers |
| C. | How women have been socially oppressed in literary texts |
| D. | All of these |
| Answer» E. | |
| 80. |
Ethos is important to establish in which of the following types of arguments ? |
| A. | Emotional arguments |
| B. | Political arguments |
| C. | Deductive arguments |
| D. | Inductive arguments |
| Answer» C. Deductive arguments | |
| 81. |
Dr. Allen Shoaf’s essay, “’Hamlet’: Like Mother, Like Son”, argues which of the following points ? |
| A. | Hamlet’s father’s ghost is not really a ghost. |
| B. | Hamlet feels a sense of desire for both his mother and his father. |
| C. | Hamlet is truly insane in the play. |
| D. | Hamlet is an impossible play to truly understand. |
| Answer» C. Hamlet is truly insane in the play. | |
| 82. |
As a mode of literary criticism or theory, gender theory attempts to bring which of the following to literary texts ? |
| A. | An understanding of the various conceptions and understandings of gender that have carried throughout various cultures |
| B. | An understanding of gender as a human construct |
| C. | An understanding of how standard histories of western societies are presented in terms of heterosexual identity |
| D. | All of these. |
| Answer» E. | |
| 83. |
As a mode of literary criticism or theory, formalism attempted to bring which of the following to literary studies ? |
| A. | An awareness of the historical circumstances surrounding a text’s production |
| B. | A set of objective criteria for critical analysis |
| C. | An awareness of the economic circumstances surrounding a literary text |
| D. | Strict criteria for evaluating the quality of a literary text |
| Answer» C. An awareness of the economic circumstances surrounding a literary text | |
| 84. |
Aristotle felt that ethos was established by a speaker or writer by convincing the audience that ? |
| A. | the author or speaker was of good mind and character. |
| B. | the author or speaker was emotionally involved in the topic at hand. |
| C. | the author or speaker has provided proper logic and evidence in support of his topic. |
| D. | the author or speaker maintained the appropriate critical distance from the topic. |
| Answer» B. the author or speaker was emotionally involved in the topic at hand. | |
| 85. |
According to Dr. Taormina, Victorian novelists generally________________? |
| A. | wanted to subvert middle class values. |
| B. | accepted middle class values. |
| C. | wrote in a hyperrealistic fashion. |
| D. | had a negative view of human nature. |
| Answer» C. wrote in a hyperrealistic fashion. | |
| 86. |
According to Dr. Mark Canada’s “An Introduction to the Novel”, Richard Chase identifies which of the following as a main difference between novels and romances ? |
| A. | The language in which they are written |
| B. | The way they view reality |
| C. | The way they are structured |
| D. | The type of people who write them |
| Answer» C. The way they are structured | |
| 87. |
According to Dr. Frances Pritchett’s version of Shamsur Rahman Faruqi’s “The Historical Novel and the Historical Narrative”, what is the difference between a historical narrative and a historical novel ? |
| A. | A historical narrative and a historical novel are the same thing. |
| B. | A historical narrative tells only part of the story surrounding a historical event; a historical novel tells the whole story. |
| C. | A historical novel focuses on providing the reader with only the central truth of a historical event, while a historical narrative attempts to tell th |
| D. | Faruqi actually argues that historical novels do not exist. |
| Answer» D. Faruqi actually argues that historical novels do not exist. | |
| 88. |
According to Dr. Frances Pritchett’s version of Shamsur Rahman Faruqi’s “The Historical Novel and the Historical Narrative”, which of the following offers the best definition of a “history” ? |
| A. | A narrative based entirely on verifiable facts |
| B. | A narrative that does not analyze characters on a situation-by-situation basis |
| C. | A narrative without characters |
| D. | A narrative that takes place in the past. |
| Answer» C. A narrative without characters | |
| 89. |
According to Anthony DiMatteo’s “Shakespeare and the Public Discourse of Sovereignty: ’Reason of State’ in ’Hamlet’”, how does Shakespeare tend to present political rulers in Hamlet? |
| A. | Shakespeare presents political rulers as flawless, perfect human beings. |
| B. | Shakespeare presents political rulers as often meeting ruinous and violent endings. |
| C. | Shakespeare only presents fictional political rulers and does not explore any political realities. |
| D. | Shakespeare considers all political rulers to be corrupt. |
| Answer» C. Shakespeare only presents fictional political rulers and does not explore any political realities. | |
| 90. |
A writer can establish ethos in a piece of writing by doing which of the following ? |
| A. | Using informal language |
| B. | Demonstrating a mastery of the topic |
| C. | Appealing to the reader’s emotions |
| D. | Using logic and reason |
| Answer» C. Appealing to the reader’s emotions | |
| 91. |
A work of literary criticism that considers how social and economic power structures are depicted in a 19th-century English novel would be an example of which type of literary criticism ? |
| A. | Marxist criticism |
| B. | Reader-response criticism |
| C. | Psychoanalytic criticism |
| D. | New Criticism |
| Answer» B. Reader-response criticism | |
| 92. |
A work of criticism that considers how the author’s childhood trauma influenced his characters would be an example of_____________? |
| A. | psychoanalytic criticism. |
| B. | Marxist criticism. |
| C. | New Criticism. |
| D. | structuralism. |
| Answer» B. Marxist criticism. | |
| 93. |
A work of criticism that considers how English imperialism affected native Indian authors would be an example of_______________? |
| A. | Marxist theory |
| B. | psychoanalytic theory |
| C. | postcolonial theory |
| D. | deconstruction |
| Answer» D. deconstruction | |
| 94. |
A postmodern play would most likely not make use of which of the following theatrical traditions ? |
| A. | A minimalist stage and strict adherence to the script |
| B. | Video clips and the use of popular music |
| C. | Nonlinear storytelling and the embracement of popular culture |
| D. | A pastiche of different literary and historical sources |
| Answer» B. Video clips and the use of popular music | |
| 95. |
A play that begins in medias res________________? |
| A. | begins at the apparent end of the story. |
| B. | introduces the characters of the play one by one. |
| C. | opens by plunging the viewer into a crucial series of events. |
| D. | begins with a preview of the play’s conclusion. |
| Answer» D. begins with a preview of the play’s conclusion. | |
| 96. |
A picaresque novel dramatizes the life of what kind of person ? |
| A. | A member of the royalty |
| B. | A lowborn, wandering adventurer |
| C. | A member of the middle class engaging in self-exploration |
| D. | A child as he or she develops into an adult |
| Answer» C. A member of the middle class engaging in self-exploration | |
| 97. |
A gothic novel will probably not deal with which of the following themes ? |
| A. | The sublime |
| B. | The supernatural |
| C. | Love |
| D. | The manners and traditions of the upper classes |
| Answer» E. | |